In this post, Maria M. Rijo Lopes da Cunha reflects on the sonic politics of musical life in Beirut. The piece speaks in dialogue with a sound piece by Abed Kobeissy, 'The Crusades According to Tamim', also presented here. Together, these pieces signal the connections between sound and street life, tradition and experimentalism, conflict and …
Continue reading "On Sound, Violence, Postcolonial Legacies and Urban Spaces in Beirut"
